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In the in the early19th century, on the Plateau of Jurua the Gillet watchmakers dynasty had begun and up to this day it has been an icon of quality and performance.Inspired by 1850s tourbillon watches experimental tests Romain Gillet perfected an innovative regulating system and created the resonant double regulator custom made since for Rudis Sylva.? This innovative mechanism is able to provide a flawless level of precision, not only due to its capacity of transmitting the oscillatory energy of the 2 balances but also due to the spring system which connects the tourbillon unites. This timepiece features an exceptionally complex mechanism, its tourbillons have both aesthetic and functional purposes, embellished with black jewels and titanium screws they function within the elegant lines of a nonetheless a very classy d��cor. The exceptional complexity of the ball bearings was developed in order to ensure flawless balances harmony. Every component of this fascinating timepiece was custom made by a traditional watchmaker, up to the hand-made Rudis Sylva' chamfers.The aim of? Rudis Sylva was to mark its debut in the Haute Horologerie by introducing an innovative musical-box type, chiming concept. The ancient name of the Jura Mountain �C Rauracie, inspired the case melody �CRaurescien.? Sliding a secret bolt, placed at the case bottom enables the chime to be wounded. At its maximum wound, the melody will sound at the following 4 hourly strikes. The optional personalizing of timepiece's melody rests in the hands of the buyer.The hand-made guilloche, created in Georges Brodbeck's workshop is placed on the plate below the regulator and on the minute and hour indicators over the dial.? The craftsman has highlighted the dial by creating a symphony of gradually increasing rounded angles and by subtly playing with the intellectualized detail. The rounded-triangular design touches require lines to create a perfect transition at 120 degrees and moreover three tool movements per pyramid to achieve this.The regulating unit's true luxury can be captured in the filigree hand applied guilloche and in the plate below the regulator embellished with the so-called: "clous de Paris" one of the many surprises of Sylva. The black or brown leather strap is carefully matched with precious materials for the case: gold and platinum which make a direct statement about the exclusivist clientele and the craftsmanship of the watchmaker.Pictures With RUDIS SYLVA Romain Gillet Tags: traditional watchmaker

On the back of each Moon Invader watch, a silver disc evokes a miniature moon featuring a moonscape-textured surface. A few grams of moon dust have been injected into the silver, accordingly named Moon Silver, from which this disc was cut out. FUSION The moon dust (a certified sample) is amalgamated with the precious metal in a crucible. This amalgam requires perfect mastery of silver fusion, at a temperature of exactly 961�� celsius the operation was successfully conducted at Cendres & M��taux, a company based in Biel, Switzerland and specialising in the treatment of metals for high-end watchmaking. BLANKING The Mon Silver is then poured into ingots that are laminated to the thickness required to be blanked into rough discs ready to be stamped. The Moon Silver used by Romain Jerome is in itself an extremely special "technological" silver that acquires a beautiful patina through contact with the wrist rather than merely becoming oxidised like ordinary silver. FINISHING The rough silver discs are then repeatedly struck with a dedicated tool in successive stamping operations interspersed with annealing operations on the matter, before being entrusted to the master-engraver who creates perfect finish for the Romain Jerome Moon Silver disc. Manuel Emch (RJ) pouring moon dust into the crucible where the silver is in fusion. Manuel Emch (left) and M. Manuel Piquerez (right), Swiss Notary with the first "Moon Silver" ingot made by Cendres + M��taux, a metal as yet unknown among precious metal casters and refiners.